Calendar of Events

 

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August

 

Present through August 31, 2008

Racing Museum to Feature “The First Saturday in May”

The Hennegan Brothers’ award-winning documentary “The First Saturday in May” will run in an exclusive engagement at the National Museum of Racing and Hall of Fame throughout the summer racing season.  The film, which follows six horses - including the mighty Barbaro - on the road to the 2006 Kentucky Derby, has drawn rave reviews since its theatrical release in April. It was also an Official Selection of the 2007 Tribeca Film Festival, won Best Documentary at the Savannah Film Festival and the Durango Film Festival as well as a Special Jury Award at the Austin Film Festival. “The First Saturday in May” will be shown in the Hall of Fame Gallery most days from Sunday, July 20 through the final day of the season at Saratoga Race Course on Monday, September 1. The admission price of $5 for the film is in addition to the regular admission prices at the Museum.  Beginning on July 20, the 96-minute film will be shown daily at 10 a.m. It will also be shown at 3 p.m. on five consecutive Tuesdays: July 22, July 29, August 5, August 12 and August 19. Due to conflicts with events scheduled in the Museum, the film will not be shown on Wednesday, July 30; Thursday, July 31; Friday, August 1; Monday, August 4; Thursday, August 7; Tuesday, August 26.  The schedule is subject to change. Information will be available at the Museum’s Web site: www.racingmuseum.org or by calling (518) 584-0400.

 

Present - August 29, 2008, Fridays, 7:00pm

UpBeat on the Roof
Free music series on the Tang rooftop

Rain location:  Payne Room, Tang Museum
Tang Museum/(518) 580-8080

 

August 29, 2008

UpBeat on the Roof

Rich Ortiz

Free music series on the Tang rooftop

Rain location:  Payne Room, Tang Museum
Tang Museum/(518) 580-8080

 

Present-August 31, 2008

Dean Snyder:  Almost Blue

Features a new body of work by Providence, Rhode Island-based artist Dean Snyder, whose large sculptures represent a fusion of organic sources and material experimentation.  Growing from Snyder's previous works in wood and rawhide, this new series uses high-tech carbon fibers and acrylic flake paint to eye-popping ends.  In Almost Blue investigations of process, form, and color come together in a constellation of works that blend into one continuous experience in the gallery space.

Tang Museum/(518) 580-8080

 

Present through December 30, 2008

Horse Racing Simulator

The simulator is an interactive exhibit, whose software package links video on a 50-inch screen and an electronic horse to give visitors the experience of riding a Thoroughbred. Riders will be able to choose from three levels: Warm-up, Apprentice and Jockey.

The simulator will operate daily from noon to 4pm (9 to 5 during the racing season) or by reservation by calling 518-584-0400 ext. 124.  Please call ahead for reservations if you have a large group since staff is limited. The cost of a ride is $5 in addition to the price of admission to the Museum. Riders must be at least 48 inches – or 12 hands – tall.

National Museum of Racing and Hall of Fame/518-584-0400

 

Present-January 4, 2009
Amy Sillman: Third Person Singular
Amy Sillman is an uncompromising painter. Her widely influential body of work has built on traditional formats—such as landscape, portraiture, abstraction, and caricature—only to move past them, pushing these known ways of working into new places. With a fierceness and generosity of spirit, Sillman makes paintings that explore psychological concerns while combining colors, forms, and ideas in ways that are both joyful and uncomfortable. Her artistic investigations spring from a belief in the possibilities of painting and a dedication to delving into personal thoughts and emotions, no matter how anxious or awkward they may be. Fascinated by the act of coupling, Sillman’s most recent series of work begins by drawing couples that she knows, translating her experiences with them into a range of visual interpretations that become increasingly abstract.
Tang Museum/(518) 580-8080

September

 

 

September 1-6, 2008

School of the Arts – Open House
September 1 –5 from 2pm-5pm
September 6 from 11am-2pm
The School of the Arts is proud to announce the open house of its second season at the National Museum of Dance. The School teaches at the Swyer Studios located behind the museum.with- three state of the art studios as well as locker rooms, a newly renovated eating area, and lobby space. Under the directorship of Raul Martinez, the upcoming season shows promise of growth and forward thinking. SOA offers classes in many fields; ballet, pre-ballet, creative movement, modern, tap, hip hop, introductory ballroom dance as well as Pilates and Zumba. Martinez hopes to continue incorporating new opportunities to offer the students and community members. Rather than aiming towards performance or recital material, the School of the Arts conducts its classes on dance understanding and enjoyment. The SOA emphasizes that dancers of all sizes, colors, shapes and ages are welcome– the only requirement of a student at the School of the Arts is that they have an interest and passion of dance.  Schedule are available on the website or call 584-2225- Ext 3004 for a copy of the schedule or more information.  For other events or information on schedules for the SOA, visit our website www.dancemuseum.org. or call 584-2225, ext 3001

 

Present through December 30, 2008

Horse Racing Simulator

The simulator is an interactive exhibit, whose software package links video on a 50-inch screen and an electronic horse to give visitors the experience of riding a Thoroughbred. Riders will be able to choose from three levels: Warm-up, Apprentice and Jockey.

The simulator will operate daily from noon to 4pm (9 to 5 during the racing season) or by reservation by calling 518-584-0400 ext. 124.  Please call ahead for reservations if you have a large group since staff is limited. The cost of a ride is $5 in addition to the price of admission to the Museum. Riders must be at least 48 inches – or 12 hands – tall.

National Museum of Racing and Hall of Fame/518-584-0400

 

July 19, 2008-January 4, 2009
Amy Sillman: Third Person Singular
Amy Sillman is an uncompromising painter. Her widely influential body of work has built on traditional formats—such as landscape, portraiture, abstraction, and caricature—only to move past them, pushing these known ways of working into new places. With a fierceness and generosity of spirit, Sillman makes paintings that explore psychological concerns while combining colors, forms, and ideas in ways that are both joyful and uncomfortable. Her artistic investigations spring from a belief in the possibilities of painting and a dedication to delving into personal thoughts and emotions, no matter how anxious or awkward they may be. Fascinated by the act of coupling, Sillman’s most recent series of work begins by drawing couples that she knows, translating her experiences with them into a range of visual interpretations that become increasingly abstract.
Tang Museum/(518) 580-8080

October

 

October 8, 2008

Autumn Day Trip to the Arkell Museum and Fort Klock

The Waterford Historical Museum and Cultural Center is proud to announce its Fall Day Trip for Wednesday, October 8, 2008 to The Arkell Museum and Fort Klock in the scenic Mohawk Valley. The trip will begin in the morning with a visit to the Arkell Museum, Canajoharie, with its newly expanded exhibition space and remarkable Beech-Nut Archives of the early 20th century. Works by many distinguished artists including paintings by Winslow Homer and sepia toned photographs by Arthur Drooker as well as Mohawk Valley history memorabilia are featured in the new exhibition space.

For lunch the trip package will include a hot and cold buffet at the Mercato Italian Restaurant in Canajoharie. The menu includes a chicken dish cooked with lemon juice & wine, lasagna, home made Italian bread, a vegetarian eggplant dish, apple dessert and beverages coffee, tea and water.

After lunch we will travel to Fort Klock, St. Johnsville a living history museum devoted to 1700s farm life. It includes a house, barn, blacksmith shop and schoolhouse.

Departure for the trip will be at 9:00 a.m. from rear parking lot of the Wesleyan Church, 75 Grace St., Northside, Waterford. The approximate return time for the trip will be 5 p.m. The cost is $70.00 for not-yet members and $65.00 for current members. The fee includes parking, motor coach transportation (Wade Tours), admission fees, guided tour and lunch.

To make reservations or for more information please call Emily Wilson at 518-237-7122. Make checks payable to the Waterford Historical Museum and mail directly to:

Emily Wilson, Treasurer, 26 Columbus Ave., Waterford N. Y. 12188.

All Day Trips sponsored by the Waterford Historical Museum and Cultural Center are educational and benefit the Museum’s operating costs. For more information please contact Ms. Emily Wilson, 237-7122.

www.waterfordmuseum.com/238-0809

 

October 20, 2008

Annual Membership Meeting

Fall Day Trip-tba

www.waterfordmuseum.com/238-0809

 

October 24-25, 2008

Haunted History Walking Tour

Waterford Rural Cemetery

www.waterfordmuseum.com/238-0809

 

Present through December 30, 2008

Horse Racing Simulator

The simulator is an interactive exhibit, whose software package links video on a 50-inch screen and an electronic horse to give visitors the experience of riding a Thoroughbred. Riders will be able to choose from three levels: Warm-up, Apprentice and Jockey.

The simulator will operate daily from noon to 4pm (9 to 5 during the racing season) or by reservation by calling 518-584-0400 ext. 124.  Please call ahead for reservations if you have a large group since staff is limited. The cost of a ride is $5 in addition to the price of admission to the Museum. Riders must be at least 48 inches – or 12 hands – tall.

National Museum of Racing and Hall of Fame/518-584-0400

 

July 19, 2008-January 4, 2009
Amy Sillman: Third Person Singular
Amy Sillman is an uncompromising painter. Her widely influential body of work has built on traditional formats—such as landscape, portraiture, abstraction, and caricature—only to move past them, pushing these known ways of working into new places. With a fierceness and generosity of spirit, Sillman makes paintings that explore psychological concerns while combining colors, forms, and ideas in ways that are both joyful and uncomfortable. Her artistic investigations spring from a belief in the possibilities of painting and a dedication to delving into personal thoughts and emotions, no matter how anxious or awkward they may be. Fascinated by the act of coupling, Sillman’s most recent series of work begins by drawing couples that she knows, translating her experiences with them into a range of visual interpretations that become increasingly abstract.
Tang Museum/(518) 580-8080

 

November

Present through December 30, 2008

Horse Racing Simulator

The simulator is an interactive exhibit, whose software package links video on a 50-inch screen and an electronic horse to give visitors the experience of riding a Thoroughbred. Riders will be able to choose from three levels: Warm-up, Apprentice and Jockey.

The simulator will operate daily from noon to 4pm (9 to 5 during the racing season) or by reservation by calling 518-584-0400 ext. 124.  Please call ahead for reservations if you have a large group since staff is limited. The cost of a ride is $5 in addition to the price of admission to the Museum. Riders must be at least 48 inches – or 12 hands – tall.

National Museum of Racing and Hall of Fame/518-584-0400

 

July 19, 2008-January 4, 2009
Amy Sillman: Third Person Singular
Amy Sillman is an uncompromising painter. Her widely influential body of work has built on traditional formats—such as landscape, portraiture, abstraction, and caricature—only to move past them, pushing these known ways of working into new places. With a fierceness and generosity of spirit, Sillman makes paintings that explore psychological concerns while combining colors, forms, and ideas in ways that are both joyful and uncomfortable. Her artistic investigations spring from a belief in the possibilities of painting and a dedication to delving into personal thoughts and emotions, no matter how anxious or awkward they may be. Fascinated by the act of coupling, Sillman’s most recent series of work begins by drawing couples that she knows, translating her experiences with them into a range of visual interpretations that become increasingly abstract.
Tang Museum/(518) 580-8080

December

Present through December 30, 2008

Horse Racing Simulator

The simulator is an interactive exhibit, whose software package links video on a 50-inch screen and an electronic horse to give visitors the experience of riding a Thoroughbred. Riders will be able to choose from three levels: Warm-up, Apprentice and Jockey.

The simulator will operate daily from noon to 4pm (9 to 5 during the racing season) or by reservation by calling 518-584-0400 ext. 124.  Please call ahead for reservations if you have a large group since staff is limited. The cost of a ride is $5 in addition to the price of admission to the Museum. Riders must be at least 48 inches – or 12 hands – tall.

National Museum of Racing and Hall of Fame/518-584-0400

 

July 19, 2008-January 4, 2009
Amy Sillman: Third Person Singular
Amy Sillman is an uncompromising painter. Her widely influential body of work has built on traditional formats—such as landscape, portraiture, abstraction, and caricature—only to move past them, pushing these known ways of working into new places. With a fierceness and generosity of spirit, Sillman makes paintings that explore psychological concerns while combining colors, forms, and ideas in ways that are both joyful and uncomfortable. Her artistic investigations spring from a belief in the possibilities of painting and a dedication to delving into personal thoughts and emotions, no matter how anxious or awkward they may be. Fascinated by the act of coupling, Sillman’s most recent series of work begins by drawing couples that she knows, translating her experiences with them into a range of visual interpretations that become increasingly abstract.
Tang Museum/(518) 580-8080